Spoiler-Free Review: BLOAT 

March 11, 2025

Written by Joseph Perry

Joseph Perry is the Film Festival Editor for Horror Fuel; all film festival related queries and announcements should be sent to him at josephperry@gmail.com. He is a contributing writer for the "Phantom of the Movies VideoScope" and “Drive-In Asylum” print magazines and the websites Gruesome Magazine, Diabolique Magazine, The Scariest Things, B&S About Movies, and When It Was Cool. He is a co-host of the "Uphill Both Ways" pop culture nostalgia podcast and also writes for its website. Joseph occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right. A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.

Official synopsis: From a producer of Searching and Unfriended, Ben McKenzie (“Gotham”) and Bojana Novakovic (Birds of Prey) star in this chilling tale of horror and suspense. After a near-death drowning accident, a young boy’s family is horrified to discover he has become possessed by a legendary demon from the depths of the lake. As the family races against time to save the boy’s soul, the evil monster inside the child tears the family apart as it seeks to destroy everyone in its path.

Writer/director Pablo Absento has made a strong name for herself by crafting some gripping horror shorts based on Japanese folklore and urban legends. Her debut feature film Bloat involves a kappa, a Japanese water-based spiritual entity. Here, the creature possesses a young American boy on vacation in Japan with his mother and older brother, while the father can’t leave his military base because of trouble in the Middle East. 

I’ll admit up front that I am not fond of screenlife films, horror or otherwise, and Bloat is just such an offering. Although I understand the gimmick is used here in an effort to convey the frustration of knowing one’s family is in danger far away, watching computer screens most of the time — some other cameras and devices are used as needed — comes across as unexciting as watching someone else play a video game. And although McKenzie, Novakovic, and Malcolm Fuller as the older son do their best to convey the urgency behind their family’s situation, another trapping of screenlife films is that it often feels that potential suspense is lessened because actors are performing to a camera rather than truly interacting with one another. The story itself, while admirably using the concept of a Japanese folkloric character, also suffers from following overly familiar tropes from found footage and screenlife horror. 

Absento is a highly talented filmmaker, but the screenlife concept behind Bloat comes across as more of a gimmick than a thrilling way to tell a terror tale. The film is worth a watch, though, and will likely find wider appeal among screenlife and found footage aficionados. 

Bloat, from Lionsgate, was released to theatres and on VOD and digital platforms on March 7th, 2025.

 

 

 

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