Spoiler-Free Reviews: CHAIN REACTIONS and HEY FOLKS! IT’S THE INTERMISSION TIME MIXTAPE (Boston Underground Film Festival 2025) 

March 28, 2025

Written by Joseph Perry

Joseph Perry is the Film Festival Editor for Horror Fuel; all film festival related queries and announcements should be sent to him at josephperry@gmail.com. He is a contributing writer for the "Phantom of the Movies VideoScope" and “Drive-In Asylum” print magazines and the websites Gruesome Magazine, Diabolique Magazine, The Scariest Things, B&S About Movies, and When It Was Cool. He is a co-host of the "Uphill Both Ways" pop culture nostalgia podcast and also writes for its website. Joseph occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right. A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.

Chain Reactions

Official synopsis: The Texas Chain Saw Massacre’s impact on 5 artists — Patton Oswalt, Takashi Miike, Alexandra Heller-Nicholas, Stephen King, Karyn Kusama — through interviews, outtakes, exploring how it shaped their art, psyche from childhood trauma.

The Texas Chain Saw Massacre (1974) launched not only director Tobe Hooper’s career. Its influence also inspired other filmmakers, writers, and other artists, not to mention a bevy of sequels, prequels, reimaginings, and rip-offs.  Director Alexandre O. Phillippe’s documentary Chain Reactions focuses on how the horror classic affected writers King and Heller-Nicholas, comedian Oswalt, and filmmakers Kusama and Miike. The time spent with each interview subject is longer and more focused than many documentaries that feature a large number of talking heads, allowing viewers to truly understand how The Texas Chain Saw Massacre drove them to, or at least in, their varied successful careers. Clips from the film help illustrate the interview subjects’ commentaries about its social issues, storytelling, cinematic techniques, and personal impacts. Highly recommended for cinema lovers, whether or not they are fright-fare buffs.

Hey Folks! It’s the Intermission Time Mixtape

Official synopsis: A mind-altering mixtape from AGFA (American Genre Film Archive)! Mid-century America runs amok in this haunted found-footage ode to moviegoing and the snack bar. In the tradition of Negativland and Devo, AGFA’s archival gremlins have spun a mountain of vintage cinema and drive-in ads (courtesy of Something Weird Video) into satanic word salad. Beneath, behind, and between the movies lie carbonized hot dogs from Hades, velvety vapid voiceovers, bewitching visuals, and pizza from the eighth dimension. Take a psychedelic trip to the lobby with us.

With Hey Folks! It’s the Intermission Time Mixtape, codirectors Bret Berg and Joseph A. Ziemba have taken — from a series of six videotapes — several hours of ads, announcements, and the like that ran before and between features at drive-in and walk-in theaters back in the day, and edited and otherwise visually and sonically played with the lot.The result is a 70-minute barrage of classic Americana that will have those who remembered those “Let’s go back to the lobby”-era ads either fondly recalling sitting through those bits and hankering for huge pickles and drive-in hot dogs, or less fondly recalling for shelling out for cardboard-like pizzas that were quite different looking than the ones show on the big screen. Those too young to have experienced should get a kick out of what they missed, or perhaps find themselves wondering what the big deal was. In either case, Hey Folks! It’s the Intermission Time Mixtape is a fun 70-minute blast of nostalgia.

Chain Reactions and Hey Folks! It’s the Intermission Time Mixtape screened as part of Boston Underground Film Festival, which ran March 19–23, 2025.

 

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