Arthur (Simon Merrells) has a few things to be proud of; he’s the first astronaut to orbit Pluto, he survives a rather shit crash landing back on Earth, and he grows alien eyes on his hands that present to him monstrous visions and cause him to not only believe he has murdered, but to believe he is the conduit (or doorway if you like) for an alien invasion.
I Am the Doorway is one hell of a somber, grim, and ultimately intriguing sci-fi yarn. Based on a short story by some dude I’ve never heard of named Stephen King (I sincerely hope you boils n’ ghouls know I’m assing around here), this is a moody, darkly atmospheric affair that details one man’s descent into madness facilitated by cosmic interference (let’s just say this is King at his most Lovecraftian); and everything from the muted color palette, to the locations, to the grizzled appearance of Merrells as our protagonist adds to the aesthetics! Also of note are the superior special effects that deftly blends practical make-ups with digital enhancements to satisfyingly nauseating affect!
Presented with style, dripping with space pus, and acted superbly, Simon Pearce’s adaptation of this classic King yarn is one not to miss! Now let’s get this dude on a full-on S.K. motion picture!
Spoiler-Free Reviews: PATER NOSTER AND THE MISSION OF LIGHT and PARTY OF DARKNESS (Another Hole in the Head Film Festival)
Pater Noster and the Mission of Light (U.S., 2024) Official festival synopsis: Max, a young record store clerk,...