Spoiler-Free Reviews: BLACK MOLD and BLUE HOUR: THE DISAPPEARANCE OF NICK BRANDRETH (Panic Fest 2023)
Black Mold Writer/director John Pata’s Black Mold fairly drips with dread as Brooke (Agnes Albright) and Tanner (Andrew Bailes) — a pair of photographer friends who shoot decrepit, abandoned buildings — find themselves trapped in one such structure by a homeless man (Jeremy Holm) who resembles Brooke’s deceased father. Is it the titular rot that begins to affect the pair’s thinking or supernatural reasons? This is one of the questions posed in the film, and one thing is for certain — there’s psychological horror aplenty on tap. Albright gives a grounded performance as a young woman harboring darkness from her childhood, and Holm gives a solid performance as an enigmatic, paranoid, threatening figure, while Bailes gives a performance that must be seen to be appreciated. It’s an intriguing one that borders at times on scenery chewing without quite crossing the line, and at others as a realistic portrayal of a supportive friend. Tiffany Jasinski’s set design is remarkable — you
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