CategoryFilm Festivals
Horror film festivals worldwide — lineups, awards and the titles that break out of the festival circuit.
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The Becomers (2024) Writer/director Zach Clark’s science-fiction comedy The Becomers is one of the more unique offerings in the subgenre of alien-body-snatchers cinema. It follows the travails of two genderless extraterrestrial lovers who have left their home planet for hopefully better lives on Earth. They must inhabit human bodies, with plenty of reasons to change them, as they try to grasp the language, mannerisms, and mindsets of Americans. The film touches on a variety of current social issues in the post-pandemic United States while avoiding becoming overly didactic, and the cast members — led by Molly Plunk, Mike Lopez, and Keith Kelly — give earnest performances that give the proceedings a grounded yet humorous feel. Bonus points from me for the fact that the film is narrated by Russell Mael, vocalist for one of my all-time favorite rock bands, Sparks. Omen (Augure; Belgium/The Democratic Republic of Congo/Netherlands/Germany/France/South Africa, 2023) Omen deals in magical realism and African mysticism, with horror-adjacent elements
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Humanist Vampire Seeking Consenting Suicidal Person (Vampire humaniste cherche suicidaire consentant; Canada, 2023) What an absolute blast Humanist Vampire Seeking Consenting Suicidal Person is! Director Ariane Louis-Seize’s French language coming-of-age vampire dramedy is a true charmer. Sasha (Sara Montpetit) is a reluctant teen vampire who suffers from adverse reactions when she witnesses humans being physically harmed. Her family members do their best to wean her off of blood bags and start her biting people. Matters become even more complicated when she meets bullied teen Paul (Félix-Antoine Bénard) at an anonymous meeting for depressed and suicidal individuals. Paul is looking for a meaningful way to end his life, and sees that in Sasha’s becoming a true, people-biting vampire. Louis-Seize, who cowrote the screenplay with Christine Doyon, has crafted a touching, whimsical feature that examines the potential humanity in an undead being, gently and thoughtfully focusing on two characters trying to find their way in this world — and in Paul’s case,
Continue reading →
DocumentariesEventsFilm FestivalsForeignMoviesNewsShort FilmsThriller
Horror buffs and genre-film fans of all stripes: The Calgary Underground Film Festival has just released its lineup for its 2024 edition! There’s fright fare galore, from slashers (In a Violent Place; The Last Video Store) to monster movies (Kryptic; Infested) to supernatural chillers (Oddity; The Vourdalak), and beyond. Following is the official press announcement. The Calgary Underground Film Festival has announced the full lineup of films playing the 21st Festival, from April 18-28, 2024 at Globe Cinema. On-scale with the expanded programming of last year’s 20th Anniversary Festival, the largest in the organization’s history, CUFF 2024 will show 41 feature films, 37 shorts, and host 8 special events over 11 days. From horror and sci-fi to indie comedies and music docs, the festival showcases diverse programming of films that defy convention. CUFF is Western Canada’s largest genre film festival, internationally recognized as a top horror film festival on the circuit, and one of the most anticipated events for local
Continue reading →
Film FestivalsForeignMoviesReviewsShudder
Arachnophobes, unless you are approved for serious exposure therapy from your medical or psychological professional, you will almost surely want to avoid director Sébastien Vanicek’s Infested (Vermines; France/U.S., 2023). But for everyone who loves a good — and in this case I mean really good — spider attack horror movie, you will absolutely want to see the film. Kaleb (Théo Christine), a twentysomething man trying to carve out a life for himself in a world that frustrates that goal at many a turn, lives with his sister (Lisa Nyarko) in an apartment that has seen better days and requires constant upkeep, which they inherited from from their late mother. The siblings have a strained relationship, and Kaleb also keeps other people at a distance, preferring to spend time with the exotic reptiles and bugs that he collects, though he considers the other building tenants to be more like family than merely neighbors. After Kaleb purchases a spider — the likes
Continue reading →
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Sleep (South Korea, 2023) A sleepwalking man becomes a danger to his family in writer/director Jason Yu’s eerie feature Sleep. HyunSu (Lee SunKyun) and SooJin (Jung YuMi) are a married couple expecting their first child. HyunSu begins having bouts of somnambulism that become increasingly disturbing, and when SooJin suspects supernatural influence, tension between the spouses increases. Lee and Jung give solid performances as the troubled couple, and Yu ratchets up the tension well, leading to a highly satisfying third act. The “love conquers all” element is a bit on the nose, but overall the film is a gripping one that fans of occult horror should find well worth a watch. Strange Kindness (U.S., 2024) Writer/director Joseph Mault’s Cape Cod-set thriller Strange Kindness is a meditative feature with political commentary on violence in the United States woven in with family trauma drama. Rose (Leanne McLaughlin) is a young woman helping her reclusive aunt Chris (Deirdre Madigan) with home treatments for Chris’s
Continue reading →
Film FestivalsForeignMoviesReviewsShort Films
Apotemnofilia The titular condition is the desire of amputation for a healthy limb, and writer/director Jano Pita’s Spanish horror short Apotemnofilia finds actress Clara (Lucía Azcoitía) dealing with that as her highly anticipated post-pregnancy comeback play is about to begin. The film addresses Clara’s mental breakdown through graphic displays of body horror elements made with impressive, disturbing practical effects work. Azcoitía gives a fittingly unsettling performance, with Pita delivering a shocking work infused with some dark humor. Lullaby U.K. slow-burn chiller Lullaby from writer/director Chi Thai examines the fragile mental state of a female refugee (Jane Le). She suffered a devastating loss that she finds herself reliving, with those around her providing no comfort or support. Thai uses ever-increasing dread in favor of jump scares and gore, crafting a mesmerizing short that packs a highly disturbing reveal. The Bleacher If you have ever wondered what happened to socks you lost after doing laundry, the animated short The Bleacher from cowriters/codirectors
Continue reading →
Film FestivalsForeignMoviesReviewsThriller
Writer/director Annick Blank’s French-language Canadian thriller Hunting Daze blends harshly realistic scenarios with dizzying drug-trip sequences. The result is a fascinating, often disturbing look at toxic masculinity. Sex worker Nina (Nahéma Ricci), after performing for a bachelor party in very rural Quebec, finds herself abandoning the rest of her group in anger and frustration. She asks Kevin (Frédéric Millaire-Zouvi), one of the party members, if she can stay there until a ride can be arranged for her. The group votes that to do so, she must pass some rites and become part of their self-professed wolf pack. Rather than turning into the rape revenge thriller that some might expect, Nina finds herself in no such danger from the group, which parties hard before and after hunting. Another stranger — African man Doudos (Noubi Ndiaye) — shows up, adding another element of “The Other” to the group dynamics, as well as the suspense. When a dangerous accident occurs, paranoia and tension
Continue reading →
Film FestivalsForeignMoviesReviewsThriller
Writer/director Helena Stefansdottir’s Icelandic thriller Natatorium is the type of film where you just know that something is off from the onset, and the mystery as to what exactly is happening keeps you wrapped up until the climactic reveal. The dark family drama at the heart of this feature is thoroughly gripping. With dreams of traveling the world in a performance troupe, 18-year-old Lilja (Ilmur María Arnarsdóttir) stays at the home of her grandmother Áróra (Elin Petersdottir) and grandfather Grimur (Valur Freyr Einarsson) for an audition being held in their town. She has arrived at their home without announcing it in advance to her father Magnús (Arnar Dan Kristjánsson). He calls his sister Vala (Stefanía Berndsen) and asks her to check in on Lilja, and viewers learn right away that the older siblings have problems with Lilja staying there. The titular swimming pool seems to be one of the big reasons for their concerns. Áróra’s other son Kalli (Jónas Alfreð
Continue reading →
EventsFilm FestivalsMoviesNews
Every year, genre-film aficionados can expect a wild, wooly mix of unusual cinematic fare from the Boston Underground Film Festival. This year’s edition features slashers, spiders, and sleepers among its drool-worthy choices. Following is the official press announcement. Spring festival season is nigh as the 24th annual Boston Underground Film Festival returns to Harvard Square’s arthouse hub The Brattle Theatre with five days of eclectic cinemania from March 20th through the 24th. This year’s lineup is stacked with stone-cold killers, covetous cretins, nocturnal nuisances, and all manner of midnight madness. BUFF is beyond honored to host the East Coast Premiere of Michael Mohan’s (2021’s The Voyeurs) convent-set horror Immaculate on Opening Night. Starring Sydney Sweeney (Euphoria, The White Lotus), Immaculate follows a newly minted nun who arrives at an idyllic Italian convent where devilish deeds lurk in the shadows of the sun-drenched countryside. Bookending this year’s electric lineup is genre-bending fever dream Boy Kills World, the gleefully bombastic debut from
Continue reading →
Film FestivalsForeignMoviesReviews
THE FUNERAL (CENAZE; Turkey, 2023) Hearse driver Cemal (Ahmed Rifat Sunger) takes a job of which he is leary from the start: driving away with the body of a murdered young woman named Zeynep (Cansu Türedi) and hiding away with the corpse for a month until her family is ready to claim it. Matters become instantly complicated when Cemal checks into a motel and hears breathing coming from Zeynep’s casket. I don’t want to give away too much more of the plot, so suffice it to say so that in the first act, viewers learn that Zeynep is indeed quite dead — sort of — and that she develops a particular hunger, and that Zeynep’s feelings toward her drive him to do whatever it takes to feed her. Director Orcun Behram delivers a highly unique take on the living dead subgenre that boasts terrific lead performances from Sunger and Türedi. Engin Özkaya’s cinematography splendidly portrays the bleak tone of Behram’s
Continue reading →
More from Film Festivals
Film FestivalsForeignMoviesReviewsSci-Fi
The Becomers (2024) Writer/director Zach Clark’s science-fiction comedy The Becomers is one of the more unique offerings in the subgenre of alien-body-snatchers cinema. It follows the travails of two genderless extraterrestrial lovers who have left their home planet for hopefully better lives on Earth. They must inhabit human bodies, with plenty of reasons to change them, as they try to grasp the language, mannerisms, and mindsets of Americans. The film touches on a variety of current social issues in the post-pandemic United States while avoiding becoming overly didactic, and the cast members — led by Molly Plunk, Mike Lopez, and Keith Kelly — give earnest performances that give the proceedings a grounded yet humorous feel. Bonus points from me for the fact that the film is narrated by Russell Mael, vocalist for one of my all-time favorite rock bands, Sparks. Omen (Augure; Belgium/The Democratic Republic of Congo/Netherlands/Germany/France/South Africa, 2023) Omen deals in magical realism and African mysticism, with horror-adjacent elements
Continue reading →
Film FestivalsForeignMoviesReviews
Humanist Vampire Seeking Consenting Suicidal Person (Vampire humaniste cherche suicidaire consentant; Canada, 2023) What an absolute blast Humanist Vampire Seeking Consenting Suicidal Person is! Director Ariane Louis-Seize’s French language coming-of-age vampire dramedy is a true charmer. Sasha (Sara Montpetit) is a reluctant teen vampire who suffers from adverse reactions when she witnesses humans being physically harmed. Her family members do their best to wean her off of blood bags and start her biting people. Matters become even more complicated when she meets bullied teen Paul (Félix-Antoine Bénard) at an anonymous meeting for depressed and suicidal individuals. Paul is looking for a meaningful way to end his life, and sees that in Sasha’s becoming a true, people-biting vampire. Louis-Seize, who cowrote the screenplay with Christine Doyon, has crafted a touching, whimsical feature that examines the potential humanity in an undead being, gently and thoughtfully focusing on two characters trying to find their way in this world — and in Paul’s case,
Continue reading →
DocumentariesEventsFilm FestivalsForeignMoviesNewsShort FilmsThriller
Horror buffs and genre-film fans of all stripes: The Calgary Underground Film Festival has just released its lineup for its 2024 edition! There’s fright fare galore, from slashers (In a Violent Place; The Last Video Store) to monster movies (Kryptic; Infested) to supernatural chillers (Oddity; The Vourdalak), and beyond. Following is the official press announcement. The Calgary Underground Film Festival has announced the full lineup of films playing the 21st Festival, from April 18-28, 2024 at Globe Cinema. On-scale with the expanded programming of last year’s 20th Anniversary Festival, the largest in the organization’s history, CUFF 2024 will show 41 feature films, 37 shorts, and host 8 special events over 11 days. From horror and sci-fi to indie comedies and music docs, the festival showcases diverse programming of films that defy convention. CUFF is Western Canada’s largest genre film festival, internationally recognized as a top horror film festival on the circuit, and one of the most anticipated events for local
Continue reading →
Film FestivalsForeignMoviesReviewsShudder
Arachnophobes, unless you are approved for serious exposure therapy from your medical or psychological professional, you will almost surely want to avoid director Sébastien Vanicek’s Infested (Vermines; France/U.S., 2023). But for everyone who loves a good — and in this case I mean really good — spider attack horror movie, you will absolutely want to see the film. Kaleb (Théo Christine), a twentysomething man trying to carve out a life for himself in a world that frustrates that goal at many a turn, lives with his sister (Lisa Nyarko) in an apartment that has seen better days and requires constant upkeep, which they inherited from from their late mother. The siblings have a strained relationship, and Kaleb also keeps other people at a distance, preferring to spend time with the exotic reptiles and bugs that he collects, though he considers the other building tenants to be more like family than merely neighbors. After Kaleb purchases a spider — the likes
Continue reading →
Film FestivalsForeignMoviesReviewsThriller
Sleep (South Korea, 2023) A sleepwalking man becomes a danger to his family in writer/director Jason Yu’s eerie feature Sleep. HyunSu (Lee SunKyun) and SooJin (Jung YuMi) are a married couple expecting their first child. HyunSu begins having bouts of somnambulism that become increasingly disturbing, and when SooJin suspects supernatural influence, tension between the spouses increases. Lee and Jung give solid performances as the troubled couple, and Yu ratchets up the tension well, leading to a highly satisfying third act. The “love conquers all” element is a bit on the nose, but overall the film is a gripping one that fans of occult horror should find well worth a watch. Strange Kindness (U.S., 2024) Writer/director Joseph Mault’s Cape Cod-set thriller Strange Kindness is a meditative feature with political commentary on violence in the United States woven in with family trauma drama. Rose (Leanne McLaughlin) is a young woman helping her reclusive aunt Chris (Deirdre Madigan) with home treatments for Chris’s
Continue reading →
Film FestivalsForeignMoviesReviewsShort Films
Apotemnofilia The titular condition is the desire of amputation for a healthy limb, and writer/director Jano Pita’s Spanish horror short Apotemnofilia finds actress Clara (Lucía Azcoitía) dealing with that as her highly anticipated post-pregnancy comeback play is about to begin. The film addresses Clara’s mental breakdown through graphic displays of body horror elements made with impressive, disturbing practical effects work. Azcoitía gives a fittingly unsettling performance, with Pita delivering a shocking work infused with some dark humor. Lullaby U.K. slow-burn chiller Lullaby from writer/director Chi Thai examines the fragile mental state of a female refugee (Jane Le). She suffered a devastating loss that she finds herself reliving, with those around her providing no comfort or support. Thai uses ever-increasing dread in favor of jump scares and gore, crafting a mesmerizing short that packs a highly disturbing reveal. The Bleacher If you have ever wondered what happened to socks you lost after doing laundry, the animated short The Bleacher from cowriters/codirectors
Continue reading →
Film FestivalsForeignMoviesReviewsThriller
Writer/director Annick Blank’s French-language Canadian thriller Hunting Daze blends harshly realistic scenarios with dizzying drug-trip sequences. The result is a fascinating, often disturbing look at toxic masculinity. Sex worker Nina (Nahéma Ricci), after performing for a bachelor party in very rural Quebec, finds herself abandoning the rest of her group in anger and frustration. She asks Kevin (Frédéric Millaire-Zouvi), one of the party members, if she can stay there until a ride can be arranged for her. The group votes that to do so, she must pass some rites and become part of their self-professed wolf pack. Rather than turning into the rape revenge thriller that some might expect, Nina finds herself in no such danger from the group, which parties hard before and after hunting. Another stranger — African man Doudos (Noubi Ndiaye) — shows up, adding another element of “The Other” to the group dynamics, as well as the suspense. When a dangerous accident occurs, paranoia and tension
Continue reading →
Film FestivalsForeignMoviesReviewsThriller
Writer/director Helena Stefansdottir’s Icelandic thriller Natatorium is the type of film where you just know that something is off from the onset, and the mystery as to what exactly is happening keeps you wrapped up until the climactic reveal. The dark family drama at the heart of this feature is thoroughly gripping. With dreams of traveling the world in a performance troupe, 18-year-old Lilja (Ilmur María Arnarsdóttir) stays at the home of her grandmother Áróra (Elin Petersdottir) and grandfather Grimur (Valur Freyr Einarsson) for an audition being held in their town. She has arrived at their home without announcing it in advance to her father Magnús (Arnar Dan Kristjánsson). He calls his sister Vala (Stefanía Berndsen) and asks her to check in on Lilja, and viewers learn right away that the older siblings have problems with Lilja staying there. The titular swimming pool seems to be one of the big reasons for their concerns. Áróra’s other son Kalli (Jónas Alfreð
Continue reading →
EventsFilm FestivalsMoviesNews
Every year, genre-film aficionados can expect a wild, wooly mix of unusual cinematic fare from the Boston Underground Film Festival. This year’s edition features slashers, spiders, and sleepers among its drool-worthy choices. Following is the official press announcement. Spring festival season is nigh as the 24th annual Boston Underground Film Festival returns to Harvard Square’s arthouse hub The Brattle Theatre with five days of eclectic cinemania from March 20th through the 24th. This year’s lineup is stacked with stone-cold killers, covetous cretins, nocturnal nuisances, and all manner of midnight madness. BUFF is beyond honored to host the East Coast Premiere of Michael Mohan’s (2021’s The Voyeurs) convent-set horror Immaculate on Opening Night. Starring Sydney Sweeney (Euphoria, The White Lotus), Immaculate follows a newly minted nun who arrives at an idyllic Italian convent where devilish deeds lurk in the shadows of the sun-drenched countryside. Bookending this year’s electric lineup is genre-bending fever dream Boy Kills World, the gleefully bombastic debut from
Continue reading →
Film FestivalsForeignMoviesReviews
THE FUNERAL (CENAZE; Turkey, 2023) Hearse driver Cemal (Ahmed Rifat Sunger) takes a job of which he is leary from the start: driving away with the body of a murdered young woman named Zeynep (Cansu Türedi) and hiding away with the corpse for a month until her family is ready to claim it. Matters become instantly complicated when Cemal checks into a motel and hears breathing coming from Zeynep’s casket. I don’t want to give away too much more of the plot, so suffice it to say so that in the first act, viewers learn that Zeynep is indeed quite dead — sort of — and that she develops a particular hunger, and that Zeynep’s feelings toward her drive him to do whatever it takes to feed her. Director Orcun Behram delivers a highly unique take on the living dead subgenre that boasts terrific lead performances from Sunger and Türedi. Engin Özkaya’s cinematography splendidly portrays the bleak tone of Behram’s
Continue reading →
