CategoryReviews
Honest horror reviews of films, series, games and books — no hype, no spoilers, just whether it is worth your time and your nerves.
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MoviesNewsReviews
It’s rare these days to see a sequel outshine its predecessor, but that is the case with director William Brent Bell’s Brahms: The Boy II. The first movie introduces a nanny hired to babysit a doll. She eventually discovers after witnessing what she thinks is a possessed doll that there is a man living within the walls of the manor. The Boy II expands on the doll’s history. It centers on a couple (Katie Holmes and Owain Yeoman) and their young son Jude (Christopher Convery) who move into the guest house on the property of the manor from the first film. Due to the trauma caused by a home invasion, their son has stopped talking. While exploring the property Jude discovers a doll buried in the dirt, the infamous Brahms. Soon Katie Holme’s Liza begins to believe that the doll is not only a bad influence on her son, but that Brams may very well be possessed. I was surprised
Continue reading →
IndieMoviesReviewsThriller
Man, ol’ John Blakely (Oliver Robins of Poltergeist fame… who incidentally directed and wrote this here bad bitch) has it tough as he has to live life being well-known for starring in a stalk n’ slay flick, Chain Face Clown by name, as a terror tyke, being asked to sign things like blu-rays and such, and using his fame to try and use his celeb status to get hot n’ horny with the dames. Well, that last one kinda backfires when Johnny B. does the sexual fuckings with Emily (Alissa Schneider) who turns out to be his greatest fan… and by “greatest” I mean “murderously obsessive“. This equals some really fuckin’ bad news for anyone that attempts to get in the way of the imaginary thing she and J-Dawg have percolatin’, and will make it a tad dicey for our hero to (attempt) escape from the clutches of this lascivious lunatic! The monstrous meat and putrid potatoes of Celebrity Crush
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MoviesReviewsThriller
Look man, Australia is hot as all fuck, and full of animals that doubtless would enjoy eating your freakin’ face off. Into that paradise strides Americans Lisa (Lauren Lofsberg) and Wade (Tyler Wiese), two lovebirds on the skids to partake on what was supposed to be a romantic getaway, but is instead a strained mess thanks to Lisa turning down Wade’s marriage proposal at the airport at journey’s start. Speaking of personal problems, soon our in-way-over-their-heads heroes are stranded in the vastness of the Outback (home to venomous snakes, scorpions, and some sky-high temperatures… all of which the duo must face) where the survival of their asses supersedes the survival of their relationship… which is hard to maintain once you are dead. Co-writer (along with Brien Kelly)/director Mike Green deliver a taut, suspenseful narrative (based on an urban legend no less) with Outback that’s impressive both in it’s presentation of the Outback as a malevolent character in and of itself…
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ForeignMoviesReviews
Five minutes into Beyond the Door you get narration from ol’ Satan himself, Jesus with tits n’ bush, a basic premise that manages to combine The Exorcist and Rosemary’s Baby, a funk song about the devil (which the musicians are told isn’t as good as their fap sessions), and a kid drinking mother fuckin’ Campbell’s soup straight from the mother fuckin’ can like a mother fuckin’ boss. I feel like “5 skulling” this bad bitch right here and now, but there is so very, very much more… Anyhow, Jessica (Juliet Mills) and her music producer beau Robert (Gabriele Lavia)… a man that loves reading about fish fucking and whom the children lovingly refer to as “asshole”… have found themselves with a new baby on the way, even though Jess is on the pill. Speaking of that finicky fetus, it’s growing at an accelerated rate and Jess is lossing her ever-lovin’ mind in various and sundry violent ways! Meanwhile that soup
Continue reading →
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MoviesReviews
A young couple moves into a house as suspended autumnal leaves hang in the air… and let me tell you cats n’ creeps, that is but one odd occurrence that’ll be plaguing these folks in the immediate future. Add to the mix a set of neighbors that definitely know there is some sort of shocking secrets within those wicked walls, a set of glowing eyes, a bizarre board game that reveals intimate details of the player’s lives… so yeah, odd to say the least… It’s that strangeness that runs throughout writer/director Matt Rasmussen’s The Leaves that makes this sinister short a wicked winner! Everything from the dialog, to the acting, to the narrative plays out like a fever dream. Hostilities rise and the possibility of other existences are explored while characters deliver lines that seem weighted with an arcane knowledge we as the viewer do not possess. All of the above gives the entire affair a style and flavor all
Continue reading →
MoviesReviewsShudderThriller
The central conceit of director Brad T. Gottfred’s Confessional is an updated, low-budget approach to the old chestnut of a mysterious host inviting people to a certain location and having them crack under pressure, or killing them — think The Beast Must Die (1974), The Cat and the Canary (1939), or Ten Little Indians (1965). In the case of Confessional, a group of college students come to a specially built booth that records their deepest, darkest secrets, to which they have been invited by an unknown host after the death of two mutually known fellow students. The film is an exercise that stays true to its technique, but it gets convoluted and has the issue of not presenting any characters for viewers to truly get solidly behind. Film student Amelia Lincoln (Mia Xitlali) and star swimmer Zach Turner (Brandon Larracuente) both die puzzling deaths. Seven students from their university are blackmailed by an unknown person into revealing what they know
Continue reading →
IndieMoviesNewsReviews
As elegant as it is disturbing, the indie horror film The Dinner Party invites viewers to witness a gathering they’ll never forget. From director and star Miles Doleac who co-wrote the film along with Michael Donovan comes the film that follows a playwright and his wife who have been invited to a dinner at a patron’s home. What the couple doesn’t know is that they’re on the menu. As always, Doleac’s films continue to please. The Dinner Party has an heir of sophistication and beauty but also the intensity and horror that will keep viewers intrigued. The cast of The Dinner Party includes Doleac, Jeremy London, Bill Sage, Sawandi Wilson, Lindsay Anne Williams, Alli Hart, and Mike Mayhall who did wonderfully in their roles, especially our heroine played by Hart who captures both innocence and strength. The Dinner Table takes a stab at the elite, bringing the thought that the affluent can get away with murder, and often do. It
Continue reading →
MoviesNewsReviewsTrailers
This June Saban Films’ horror flick We Summon the Darkness will be unleashed on Blu-ray. From My Friend Dahmer director Marc Meyers comes this dark tale of satanic murder and mayhem. “On the way to a heavy metal concert, Alexis (Alexandra Daddario) and two girlfriends hear a news report of a local murder believed to be tied to a series of satanic killings. After the show, the girls invite three guys to join them at the estate owned by Alexis’s father, a fire-and-brimstone preacher (Johnny Knoxville). What starts as a party suddenly turns dark and deadly in this devilishly entertaining thriller.” Alexandra Daddario (Baywatch, San Andreas), Johnny Knoxville (Bad Grandpa, Jackass), Keean Johnson (Midway), Maddie Hasson (“Impulse”), Logan Miller (Scouts Guide to the Zombie Apocalypse), Amy Forsyth (Hell Fest) and Austin Swift (Live by Night) star in the film written by Alan Trezza (Burying the Ex). We Summon the Darkness, which we called “badass, bloody, and fun” in our review,
Continue reading →
IndieMoviesReviews
The one and only Izzy Lee (Innsmouth) is back with her latest short film Disco Graveyard; a stock footage soiree swan diving into a fever dream! Created in a punk rock, found art style, Disco Graveyard could be boiled down as such; it’s a commencement speech intended for the Children of the Damned. As each carefully selected image flashes before our putrid peepers, it is Izzy herself (if you’re keeping score at home; Lee wrote, directed, produced, and stars in this flick) that delivers strangely comforting platitudes (for example: “Don’t be dead, the dead are dumb. Be weird”) that espouse how it is a good thing to be a complete weirdo (a parable your’s cruelly surely takes to my lil’ ol’ black heart). Also on hand is an excellent score by Lee’s long-time composer Shayne Gryn, and some impressive editing courtesy of Michael J. Epstein (Blood of the Tribades). To sum it up, these are the words of wisdom folks
Continue reading →
MoviesReviews
After rescuing the prez from the penal colony of New York city in John Carpenter’s 1981 masterpiece Escape From New York, grizzled anti-hero Snake Plissken (a returning Kurt Russell) finds himself on the opposite end of the nation in the fantastic future year of 2013. Of course shit has truly hit the fan in the West as well, and Snake finds himself on another suicide mission, this time involving the retrieval of a doomsday device stolen by the President’s unhinged daughter, Utopia (A.J. Langer), from deep within the bowels of L.A., which has become the new home for anyone the prez deems immoral. Before long S.P. is B.D. in maniacs, madmen, and other assorted lunatics united under the rule of revolutionary nut-job Cuervo Jones (George Corraface) who just so happens to have shacked up with Utopia! Now all Plissken has to do is stay alive, retrieve the device, and do it in a timely fashion before the disease the powers
Continue reading →
More from Reviews
MoviesNewsReviews
It’s rare these days to see a sequel outshine its predecessor, but that is the case with director William Brent Bell’s Brahms: The Boy II. The first movie introduces a nanny hired to babysit a doll. She eventually discovers after witnessing what she thinks is a possessed doll that there is a man living within the walls of the manor. The Boy II expands on the doll’s history. It centers on a couple (Katie Holmes and Owain Yeoman) and their young son Jude (Christopher Convery) who move into the guest house on the property of the manor from the first film. Due to the trauma caused by a home invasion, their son has stopped talking. While exploring the property Jude discovers a doll buried in the dirt, the infamous Brahms. Soon Katie Holme’s Liza begins to believe that the doll is not only a bad influence on her son, but that Brams may very well be possessed. I was surprised
Continue reading →
IndieMoviesReviewsThriller
Man, ol’ John Blakely (Oliver Robins of Poltergeist fame… who incidentally directed and wrote this here bad bitch) has it tough as he has to live life being well-known for starring in a stalk n’ slay flick, Chain Face Clown by name, as a terror tyke, being asked to sign things like blu-rays and such, and using his fame to try and use his celeb status to get hot n’ horny with the dames. Well, that last one kinda backfires when Johnny B. does the sexual fuckings with Emily (Alissa Schneider) who turns out to be his greatest fan… and by “greatest” I mean “murderously obsessive“. This equals some really fuckin’ bad news for anyone that attempts to get in the way of the imaginary thing she and J-Dawg have percolatin’, and will make it a tad dicey for our hero to (attempt) escape from the clutches of this lascivious lunatic! The monstrous meat and putrid potatoes of Celebrity Crush
Continue reading →
MoviesReviewsThriller
Look man, Australia is hot as all fuck, and full of animals that doubtless would enjoy eating your freakin’ face off. Into that paradise strides Americans Lisa (Lauren Lofsberg) and Wade (Tyler Wiese), two lovebirds on the skids to partake on what was supposed to be a romantic getaway, but is instead a strained mess thanks to Lisa turning down Wade’s marriage proposal at the airport at journey’s start. Speaking of personal problems, soon our in-way-over-their-heads heroes are stranded in the vastness of the Outback (home to venomous snakes, scorpions, and some sky-high temperatures… all of which the duo must face) where the survival of their asses supersedes the survival of their relationship… which is hard to maintain once you are dead. Co-writer (along with Brien Kelly)/director Mike Green deliver a taut, suspenseful narrative (based on an urban legend no less) with Outback that’s impressive both in it’s presentation of the Outback as a malevolent character in and of itself…
Continue reading →
ForeignMoviesReviews
Five minutes into Beyond the Door you get narration from ol’ Satan himself, Jesus with tits n’ bush, a basic premise that manages to combine The Exorcist and Rosemary’s Baby, a funk song about the devil (which the musicians are told isn’t as good as their fap sessions), and a kid drinking mother fuckin’ Campbell’s soup straight from the mother fuckin’ can like a mother fuckin’ boss. I feel like “5 skulling” this bad bitch right here and now, but there is so very, very much more… Anyhow, Jessica (Juliet Mills) and her music producer beau Robert (Gabriele Lavia)… a man that loves reading about fish fucking and whom the children lovingly refer to as “asshole”… have found themselves with a new baby on the way, even though Jess is on the pill. Speaking of that finicky fetus, it’s growing at an accelerated rate and Jess is lossing her ever-lovin’ mind in various and sundry violent ways! Meanwhile that soup
Continue reading →
MoviesReviews
A young couple moves into a house as suspended autumnal leaves hang in the air… and let me tell you cats n’ creeps, that is but one odd occurrence that’ll be plaguing these folks in the immediate future. Add to the mix a set of neighbors that definitely know there is some sort of shocking secrets within those wicked walls, a set of glowing eyes, a bizarre board game that reveals intimate details of the player’s lives… so yeah, odd to say the least… It’s that strangeness that runs throughout writer/director Matt Rasmussen’s The Leaves that makes this sinister short a wicked winner! Everything from the dialog, to the acting, to the narrative plays out like a fever dream. Hostilities rise and the possibility of other existences are explored while characters deliver lines that seem weighted with an arcane knowledge we as the viewer do not possess. All of the above gives the entire affair a style and flavor all
Continue reading →
MoviesReviewsShudderThriller
The central conceit of director Brad T. Gottfred’s Confessional is an updated, low-budget approach to the old chestnut of a mysterious host inviting people to a certain location and having them crack under pressure, or killing them — think The Beast Must Die (1974), The Cat and the Canary (1939), or Ten Little Indians (1965). In the case of Confessional, a group of college students come to a specially built booth that records their deepest, darkest secrets, to which they have been invited by an unknown host after the death of two mutually known fellow students. The film is an exercise that stays true to its technique, but it gets convoluted and has the issue of not presenting any characters for viewers to truly get solidly behind. Film student Amelia Lincoln (Mia Xitlali) and star swimmer Zach Turner (Brandon Larracuente) both die puzzling deaths. Seven students from their university are blackmailed by an unknown person into revealing what they know
Continue reading →
IndieMoviesNewsReviews
As elegant as it is disturbing, the indie horror film The Dinner Party invites viewers to witness a gathering they’ll never forget. From director and star Miles Doleac who co-wrote the film along with Michael Donovan comes the film that follows a playwright and his wife who have been invited to a dinner at a patron’s home. What the couple doesn’t know is that they’re on the menu. As always, Doleac’s films continue to please. The Dinner Party has an heir of sophistication and beauty but also the intensity and horror that will keep viewers intrigued. The cast of The Dinner Party includes Doleac, Jeremy London, Bill Sage, Sawandi Wilson, Lindsay Anne Williams, Alli Hart, and Mike Mayhall who did wonderfully in their roles, especially our heroine played by Hart who captures both innocence and strength. The Dinner Table takes a stab at the elite, bringing the thought that the affluent can get away with murder, and often do. It
Continue reading →
MoviesNewsReviewsTrailers
This June Saban Films’ horror flick We Summon the Darkness will be unleashed on Blu-ray. From My Friend Dahmer director Marc Meyers comes this dark tale of satanic murder and mayhem. “On the way to a heavy metal concert, Alexis (Alexandra Daddario) and two girlfriends hear a news report of a local murder believed to be tied to a series of satanic killings. After the show, the girls invite three guys to join them at the estate owned by Alexis’s father, a fire-and-brimstone preacher (Johnny Knoxville). What starts as a party suddenly turns dark and deadly in this devilishly entertaining thriller.” Alexandra Daddario (Baywatch, San Andreas), Johnny Knoxville (Bad Grandpa, Jackass), Keean Johnson (Midway), Maddie Hasson (“Impulse”), Logan Miller (Scouts Guide to the Zombie Apocalypse), Amy Forsyth (Hell Fest) and Austin Swift (Live by Night) star in the film written by Alan Trezza (Burying the Ex). We Summon the Darkness, which we called “badass, bloody, and fun” in our review,
Continue reading →
IndieMoviesReviews
The one and only Izzy Lee (Innsmouth) is back with her latest short film Disco Graveyard; a stock footage soiree swan diving into a fever dream! Created in a punk rock, found art style, Disco Graveyard could be boiled down as such; it’s a commencement speech intended for the Children of the Damned. As each carefully selected image flashes before our putrid peepers, it is Izzy herself (if you’re keeping score at home; Lee wrote, directed, produced, and stars in this flick) that delivers strangely comforting platitudes (for example: “Don’t be dead, the dead are dumb. Be weird”) that espouse how it is a good thing to be a complete weirdo (a parable your’s cruelly surely takes to my lil’ ol’ black heart). Also on hand is an excellent score by Lee’s long-time composer Shayne Gryn, and some impressive editing courtesy of Michael J. Epstein (Blood of the Tribades). To sum it up, these are the words of wisdom folks
Continue reading →
MoviesReviews
After rescuing the prez from the penal colony of New York city in John Carpenter’s 1981 masterpiece Escape From New York, grizzled anti-hero Snake Plissken (a returning Kurt Russell) finds himself on the opposite end of the nation in the fantastic future year of 2013. Of course shit has truly hit the fan in the West as well, and Snake finds himself on another suicide mission, this time involving the retrieval of a doomsday device stolen by the President’s unhinged daughter, Utopia (A.J. Langer), from deep within the bowels of L.A., which has become the new home for anyone the prez deems immoral. Before long S.P. is B.D. in maniacs, madmen, and other assorted lunatics united under the rule of revolutionary nut-job Cuervo Jones (George Corraface) who just so happens to have shacked up with Utopia! Now all Plissken has to do is stay alive, retrieve the device, and do it in a timely fashion before the disease the powers
Continue reading →