Short-Film Reviews: “Talisman,” “Wendigo,” “SMAHORROR,” and “Spare Body” (National Film Festival for Talented Youth)

April 29, 2022

Written by Joseph Perry

Joseph Perry is the Film Festival Editor for Horror Fuel; all film festival related queries and announcements should be sent to him at He is a contributing writer for the "Phantom of the Movies VideoScope" and “Drive-In Asylum” print magazines and the websites Gruesome Magazine, Diabolique Magazine, The Scariest Things, B&S About Movies, and When It Was Cool. He is a co-host of the "Uphill Both Ways" pop culture nostalgia podcast and also writes for its website. Joseph occasionally proudly co-writes articles with his son Cohen Perry, who is a film critic in his own right. A former northern Californian and Oregonian, Joseph has been teaching, writing, and living in South Korea since 2008.


One person’s belief system is another person’s superstition, and director Reangsei Phos’ Talisman (Canada) finds school-age Yi (Sean Lu) torn between those two schools of thought. His family has just moved into a new house, and as his mother (Qingqing Yang) tries to protect the home against ghosts, his father (Danny Liang) admonishes her not to fill the young boy’s head full of nonsense. Strange things are indeed happening inside the house, which leads to shocking acts of violence. Phos balances solid family drama with well-paced suspense, including some blink-and-you’ll-miss-it occurrences which should keep viewers’ eyes glued to the proceedings. The cast members, including Pascale Behrman, all turn in solid performances.


The animated short Wendigo (Ireland, 2021) is an intriguing take on the North American First Nations mythological creature combined with other eldritch occurrences. Charlie (voiced by Marc-Ivan O’Gorman) is an inquisitive young man who wants to investigate first-hand what remains of the Olsen manor, site of some horrific occurrences in the past. Local inn owner Fred (voiced by Dave Hendrickson) gives him some guidance, but when Charlie visits the site himself, things get stranger and stranger. Writer/director Max Hendrickson invests his short with ever-increasing eerie, surreal qualities, and his engaging animation style works in tandem with a fitting score.




No one does high-school horror, ghost stories, and urban-legend-using-pop-technology like Japanese filmmakers, and writer/director Masaki Nishiyama continues in the tradition of such luminaries as Hideo Nakata (Ringu) and Takashi Shimizu (Ox-Head Village) with his vertical aspect shocker SMAHORROR. Three high-school friends record their investigation of a school bathroom stall closed off after a bullied fellow student supposedly killed herself there. Nishiyama filmed the short entirely with smart phones, and he uses the claustrophobic atmospheres of a small bathroom and darkened school hallways to excellent, creepy effect. He comments on the negativity that being fixated on social media can have while delivering a straight-up spine-tingler reminiscent of classic J-horror. His cast — Serika Gunji, Saki Kisaki, Yui Narumi, and Sumipon — all give believable turns.


Spare Body

A one-person effort, writer/director/actor/editor Ethan Hunt’s Spare Body finds a teen boy looking for some hidden money and unwisely ignoring a sign not to open a closet — the second sign he has seen in a matter of a few minutes; the first one being on a delivery box promising that second lives are now possible, stating that the carton shouldn’t be opened until necessary. What teenager in a horror film wouldn’t open a door that says not to open it? The boy does so, and as you might expect, there are dire consequences. Hunt wears a lot of hats for this production, and he does a fine job with all of them. The film is a chiller all on its own, and thinking of the hard work behind it by a lone young filmmaker adds to the attraction of the short.

Talisman, Wendigo, SMAHORROR, and Spare Body screen as part of the National Film Festival for Talented Youth — featuring work by filmmakers 24 years of age or younger — which will be presented as a hybrid event, both in-person and virtual. The in-person festival runs April 28–May 1, 2022 in Seattle, WA. The full virtual festival runs April 28–May 8, 2022.


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